The Search for Explicit Self.

The Search for Explicit Self.

Dr. Iain Biggs interviewed by Gil Dekel. Gil Dekel: I get the feeling that your paintings suggest a sense of environment, a sense of “earthiness”… Is this correct? [1] Iain Biggs: “Earthiness” means such different things to different people… but I can say...
Listening to Yourself.

Listening to Yourself.

Dr. Amikam Marbach interviewed by Gil Dekel (discussing how to structure a PhD thesis).   Gil Dekel: You have developed a method that employs words to help people become aware of their prior knowledge, or inner insights. With your method people can articulate these...
Where the Unthinkable can be Expressed.

Where the Unthinkable can be Expressed.

Short interview with Patricia Bickers, art historian, editor and critic. Gil Dekel: What motivates you to speak about art and explore it? In what way art touches you? [1] Patricia Bickers: I like the fact that while you may learn a great deal about art through...

Suddenly Awakened.

Author Colin Wilson interviewed by Gil Dekel. Gil Dekel: How would you define your sense of artistry? Would you consider yourself a writer, philosopher, mystic, or perhaps a critic? [1] Colin Wilson: Well, as an artist/philosopher, I would say. You see, when I was in...
When The Impossible Is Realized.

When The Impossible Is Realized.

Interview with Alan Steinfeld, author and founder of NewRealities.com. Gil Dekel: You are writing about the artist’s role in creating new realities. Do you think there is a unique or specific way that artists see or experience reality? Alan Steinfeld: The artist...
The Image of Ourselves.

The Image of Ourselves.

Performance artist Roi Vaara interviewed by Gil Dekel.   Gil Dekel: Would it be correct to say that you are a ‘performance artist’? [1] Roi Vaara: I am known for my performances, so yes, it is correct to say I am performance artist. But when I am asked what I do, I...
Emotional Slices of Light.

Emotional Slices of Light.

Photographic installation artist Katayoun Dowlatshahi interviewed by Gil Dekel. Gil Dekel: You are tracing light onto glass using a method called Carbon Photography. How did you develop the idea of ‘light drawings’? [1] Katayoun Dowlatshahi: In 1998 I spent a year as...
Extra Light in the Mind.

Extra Light in the Mind.

Installation artist David Johnson interviewed by Gil Dekel.   Gil Dekel: Your work has undergone an interesting evolution over the years. [1] David Johnson: When I was young I used to paint and draw and make mono-prints. I studied architecture originally, but gave...
Meaningful Objects.

Meaningful Objects.

Installation artist Ken Devine interviewed by Gil Dekel. Gil Dekel: Your art project Colours of the Sphere looks at the ways in which people create meanings with the world around them and especially with colours. [1] Ken Devine: Yes, the project started ten years ago...
Life is a dream.

Life is a dream.

Interview with painter, photographer and installation artist Pablo Avendaño.   Natalie Dekel: When was it that you first decided to paint or express yourself visually? [1] Pablo Avendaño: I cannot recall when it began except for the very early visits to the Prado with...
The Beauty in Temporality.

The Beauty in Temporality.

Watercolour painter Melanie Chan interviewed by Gil Dekel. Gil Dekel: You specialise in watercolour paintings of flowers. What do you see in the flower? [1] Melanie Chan: I see the beauty of nature in flowers, and I am amazed by their perfection and their symmetry....
I Am a Painter.

I Am a Painter.

Perspective-localized painter, Felice Varini, interviewed by Gil Dekel. Felice does not paint on canvas but rather on architectural and urban landscapes, such as buildings, walls, and streets. His paintings have one vantage point (view point) from which the viewer can...
Portals of the Mind and the Soul.

Portals of the Mind and the Soul.

Painter, poet and philosopher Paul Hartal is interviewed by Gil Dekel.   Gil Dekel: What is your view on the sources of creativity in art? [1] Paul Hartal: Creativity is a cognitive process that results in new outcomes. It generates original ideas and novel products....
On Every Beach the Sand is Different.

On Every Beach the Sand is Different.

Portraits and Encaustic Wax painter, Natalie Dekel, interviewed by Gil Dekel. Gil Dekel: When did you start painting? Natalie Dekel: I was left-handed and my mother was worried that I will not be able to use my right hand. Where I was born and grew up, everyone had to...
Introspection.

Introspection.

Matt Manley (painter, teacher, digital artist, and illustrator of Rumi wall calendars published by Brush Dance) – interviewed by Natalie Dekel.       Natalie Dekel: Your work seems a mix of symbols and memories – a puzzle leading the viewer...